Crimeziners who are interested in hardboiled noir from Southern California will no doubt have read the work of Ross Macdonald. Widely touted as a successor to Dashiell Hammett, Raymond Chandler and James M. Cain, Macdonald—or Ken Millar as he was known by everyone, apart from the reading public was a more complex and experimental writer than the other legends of noir.
Early Macdonald novels, such as The Moving Target (1949) and The Drowning Pool (1950) were closely fashioned on the Chandler oeuvre, so closely fashioned in fact that Chandler denounced Millar in a very public manner, an unpleasantness that was to stay with the sensitive Millar for much of his career.
But Millar and his hardboiled protagonist Lew Archer quickly evolved, moving into territory Chandler et al could only have dreamed of. Could you imagine Marlowe dealing with the subject of environmentalism for example?
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