Archive for the ‘Crime Fiction Books’ Category

Crimezine-James-M-Cain

Cocktail Waitress

A beautiful young widow takes a job in a cocktail bar after her husband dies in mysterious circumstances…

Any mention of  Pulp crime writer James M. Cain will inevitably include talk of his classic books, The Postman Always Rings Twice (1934) and Double Indemnity—first serialized in Liberty magazine in 1936 but published in Pulp format in 1943. The classic era for Cain is undoubtedly the 1930’s and 40’s. As his success as a writer peaked, he got sucked into the Hollyweird writing pool and published a mere seven books during the final thirty years of his career.

When Cain died in 1977 he was finalizing his last novel The Cocktail Waitress. Cain revealed in Film Comment Magazine that the novel had given him difficulties and he had re-written it in the first person, after originally penning it in the third person. Cain also mentioned that the central motivation behind the story had given him problems, which perhaps explains why the story  remained unpublished at the time of his death.

Enter Internet moneybags and Pulp-fiction savior Charles Ardai. Chuck describes  The Cocktail Waitress as: The Holy Grail for crime fans. He is not the only one, Crimezine favorites Lawrence Block and Stephen King have both gushed effusively over this book—presumably they have received jealously guarded advanced copies, as it will not be available until September 2012. Though no doubt Crimezines copy is on the way as we speak.

Why the pregnant pause between publicity and publication? Well Ardai has spent a great deal of time, money and effort digging this relic up from the pulpish past, so presumably he wants to ensure that it will be the kind of  hit, that will push his niche publishing operation Hard Case Crime, into the publishing mainstream.

Crimezine hopes that The Cocktail Waitress will meet fevered expectations, as it will be a fitting, if much delayed tribute to the memory of one of Pulp fictions greatest talents, James M. Cain, A man whom literary legend Albert Camus described as America’s greatest writer.

http://hardcasecrime.com/books_bios.cgi?entry=bk109

Stay-Close- Harlan-Coben

Scariest cover of the year?

Harlan Coben, the New Jersey master of mystery has just released his block-busting end of aisle crowd pleaser Stay Close.

As Crimeziners and regular readers of the Coben oeuvre are sure to know, the big man is a master of the lost love/family values gone awry mystery. He alternates these so called, standalone tales, with his Myron Bolitar Sports Agent/Detective series, which Crimezine love, love, loves.

Stay Close features the story of dark-secret soccer mom Megan Peirce and her desire to catch up with her stripper past, on the seedy side of Atlantic City. Poor Megan, her life is fluffier than a cable-knit sweater that grandma made, and still she isn’t happy.

Natch, when she returns to her former stomping ground, she gets pulled into an unresolved murder case that gets ugly and quick. Worse, her former fling, drink sodden snapper Ray Levine is embroiled in the nefarious goings on too.

Will Megan’s marriage to Dull Dave, the faithful, but unexciting father of her two lovely children be left in the lurch? Let’s hope not shoppers…

Fear not however Crimeziners, the astonishingly slow-witted but unremittingly nice detective Broome is on the case, and after close to four hundred pages the nice Det. Broome manages to sweep up the loose ends quite nicely.

But what of the characteristic Coben wit I hear you ask. Usually his one-off efforts are far more restrained than his Bolitar mysteries. He was unable to restrain himself here however, and there are a number of delicious comedy moments that Cobie fans will treasure. Crimezine was particularly fond of the His ‘n’ Hers hit team called Ken and Barbie [Chortle] who delight in torture and Christian summer camp—we kid you not Crimeziners!

What Crimezine enjoyed less, was the fluffy bunny characterization thickly layered throughout this book. We realize the dark yang of serial killer subculture needs a frothy ying topping of frappuccino family values—end of aisle soccer moms would be barfing up their breakfast bagels otherwise. But please, let’s get real, we are talking suburbia here—it’s not a Sunday supplement advertorial for glossy happy-family-dom.

On the plus side, the denouments of Stay Close are typically twisted for Coben and they will no doubt have feminists everywhere cheering in the aisles, which is a real turn-up for a sick-puppy serial killer book.

Crimezine has therefore resolved to stay clear of Ralph’s bestseller section for the foreseeable future. Mercifully our white picket fence offers a small level of protection, but we know it won’t hold for long.

No trivia fans, the first detective novel wasn’t by Edgar Allen Poe, Sir Arthur Conan Doyle, or Emile Gaboriau.

The Notting Hill Mystery by Charles Felix, [AKA Charles Warren Adams] is believed by The British Library to be the first detective novel ever published,

The-Notting-Hill-Mystery-Charles-Felix

First Detective—Charles Felix

and it is back in print for the first time in a century-and-a-half. The story features, poisoning, hypnotism, kidnapping and a series of crimes, “in their nature and execution too horrible to contemplate”

It has been suggested that Wilkie Collins’s novel The Moonstone, published in 1868, and Emile Gaboriau’s first Monsieur Lecoq novel L’Affaire Lerouge, released in 1866, were the first detective stories, but the British Library says: The Notting Hill Mystery can truly claim to be the first modern detective novel.

First serialized between 1862 and 1863 in the magazine Once a Week, the novel was published in its entirety in 1863 but has been out of print since the turn of the century. The plot features insurance investigator Ralph Henderson, and his struggle to bring wife killing fraudster Baron R___ to justice.

The book uses letters, diary entries, crime reports, witness interviews, maps and forensic evidence—techniques that would not become common features of detective fiction until the 1920’s. The investigation uncovers a heady collection of villainy, including an evil hypnotist, gypsy-kidnappers, poisoners and murder most foul.

The plot has been described as strikingly modern, ingenious and utterly mad. The British Library first made the novel available via print-on-demand last March, as part of a collection of 19th century novels. While most sold just two to three copies apiece, The Notting Hill Mystery took off following a glowing review in the New York Times. The Notting Hill Mystery is now available as a trade paperback.

The British Library’s new edition  of The Notting Hill Mystery contains photographs of the original 1863 edition, which featured illustrations by George du Maurier, grandfather of  writer and playwright Daphne.

CrimezineCrimezine Lawrence BlockCrimezine Lawrence blockCrime Legend Lawrence Block has three out of print books from his Matt Scudder series back in printed form this week: A Stab in the Dark, A Walk Among the Tombstones, and A Long Line of Dead Men, have been out of print for a while now, so buy now while you still got the chance.

ebook enthusiast Block has been boosting the buzz on these tales with his exploits on the Internet and now you can get them in the preferred format of pulp crime lovers everywhere: the paperback.

The books will be available online from Barnes and Noble and Amazon—so don’t throw away your computer just yet—you can also buy them online from Lawrence Block’s Bookstore they’re $16.99 apiece plus $5 shipping. But if you buy the three-book set, they’re yours for $54.99 postpaid. (That’s $49.99 plus $5, for a net savings to you of $10.98.) It’s a deal, it’s a steal it’s sale of the blimmin’ century!

Crimeziners should support Lawrence’s efforts not only is he an truly awesome crimewriter he is a man who cares passionately about books.

http://www.lawrenceblock.com/content_shopping.htm

Michael-Connelly-Joseph Wambaugh

Wambaugh & Connelly at Musso & Franks, Hollywood Boulevard, Los Angeles

It has been a busy week in Los Angeles. Crime writing legend Joseph Wambaugh, the man behind The New Centurions, The Choirboys and The Onion Field, has just released the fifth book in his acclaimed Hollywood Station series.

Entitled Harbor Nocturne, the novel focuses on the Southern Los Angeles harbor district of San Pedro. [pronounced Peeedro] The book follows the continuing adventures of midwatch regulars Flotsam & Jetsam and Hollywood Nate Weiss, and also features the tribulations of star-crossed lovers Lita Medina, a young Mexican dancer and her longshoreman squeeze Dinko Babich.

Wambaugh has been up in LA this week [He now lives in San Diego] to publicize the novels imminent release. Crimeziners will be no doubt be interested to hear that Crimezine favorite Michael Connelly conducted an epic chat with Wambaugh. at famed Hollywoood Boulevard writer’s hangout Musso and Frank’s at the

Joseph Wambaugh-Harbor-nocturne

Harbor Nocturne

behest of the LA Times. Crimeziners with strong stomachs should check out the moaning man section of the interview, at the link below where Wambaugh relates a gruesome incident that first appeared in his book the Choirboys.

Wambaugh says that he interviewed over fifty cops for this book, and as ever the tales he relates are all true—just blended together into a seamless story. Wambaugh says he likes to focus on characterization and let his plot evolve as he goes along without any plot or outline.

MysteriousPress.com has just published nine of Wambaughs back catalog reads in ebook format: The Black Marble, The Glitter Dome, The Blooding, The Delta Star, Finnegan’s Week, Floaters, Fugitive Nights, The Golden Orange, and Lines and Shadows The books are available for sale through Amazon, Barnes & Noble, iBooks, Kobo, and Sony.

http://www.latimes.com/videogallery/68929282/Entertainment/The-Moaning-Man-Michael-Connelly-and-Joseph-Wambaugh

http://www.josephwambaugh.net/

RJ Ellory-Crimezine

A Simple Act of Violence

Who is the mysterious Catherine Sheridan and why was she murdered? This masterful and unique novel is anything but what the title so teasingly suggests. A Simple Act of Violence breaks new ground as a hybrid novel of stunning depth and nuanced complexity, provoking questions that will have you wondering at the very nature of morality itself.

What starts as a murder investigation for cops Robert Miller & Al Roth quickly turns into a hunt for a vicious serial killer, but the hunt for the ‘Ribbon Killer’ raises more questions than it answers and pretty soon Detective Miller is delving solo, into a byzantine world of political intrigue that threatens to destroy both him and his career

As usual R.J.’s deliciously enticing prose is hard-hitting and deeply suspenseful. He engages the reader with poetic flourishes and a philosophical undertow that questions not only the Kafkaesque nature of US covert operations, but also the moral code of those who govern us.

The philosophical heart of this book is adapted from a popular French term: Sacred Monsters, whereby we are responsible for creating something that ultimately becomes our undoing. For the cop Miller, this Sacred Monster is his compulsion to seek the truth, even if it means his own destruction. For Miller’s mysterious nemesis the Sacred Monster involves countless acts of murder, sanctioned in the name of justice and the higher ideals of government.

Stylistically, we get a third person police procedural, that weaves hypnotically with a mysterious and disturbing first person voice, that could almost be the voice of our own consciousness. When these two worlds collide there is a cataclysm of Shakespearean proportions, most appropriate—as Ellory hails from the great bards home turf, although with his masterful grasp of Americana and the American crime milieu you would never know.

Certain naughty treats do however give the author away—did Mr. Ellory seriously think we would miss the fleeting appearance of 2000AD’s goon squad killers Sinister and Dexter? Not on Crimezine’s watch bucko, we are personal friends with the Mighty Tharg.

Although the story seems to move in real time, it has a cinematic vibe that just aches for big screen accolades. Hollyweird will get wise to the Elloryian vibe in it’s owns sweet-time, meanwhile you can catch the buzz on the ground floor—or as Crimezine always prefers—the lingerie department.

Already an award winning UK novelist with great acclaim in his native Europe, R.J Ellory is aching to make the leap into major league success in America. He now has a body of work that will facilitate this transition: Each story different, yet possessing the same unique voice. Each story a masterpiece of nuanced and individualistic storytelling. Crimezine thinks A Simple Act of Violence is his masterwork. So if you like big budget crime thrills and a masterful level of suspense, this is the book for you. Tell ’em we sent you Crimeziners.

 http://rjellory.com/biog.aspx

The Godfather-crimezine

The Godfather—surely not? Ed

Crimezine understands there will be no horses heads delivered from Don Corleone this spring, but Paramount Pictures is taking Mario Puzo’s estate to court, in a fight to prevent publication of a prequel novel to the celebrated Godfather trilogy. OK, Crimezine knows the last film in the series was rubbish, but presumably Paramount is anxious not to compound this mistake, by sanctioning further Godfather mis-steps.

Paramount claims it bought the copyright to The Godfather in 1969 and that the estate’s plans to publish a prequel this summer infringe it. Paramount is seeking damages and an injunction against publication of the novel.

The book Family Corleone due out in July, is based on an un-filmed screenplay by Puzo, which has been tarted up for publication by the American author and playwright Ed Falco. Set in 1933, it traces Vito Corleone’s journey, as he becomes the Don of The Godfather. Announcing its publication last year, Anthony Puzo called it “true to Mario Puzo’s legacy”—the author died in 1999, aged 78—adding that it would “be cherished by all Godfather fans”.

Paramount, which made the three Godfather movies, claims it authorized only one sequel novel to The Godfather—2004’s The Godfather’s Return. The 2006 publication of a second sequel, The Godfather’s Revenge, was it claims, published without knowledge or authorization. The book received mediocre reviews and sold poorly. Paramount believes that rather than honoring the legacy of The Godfather the book tarnished it. Apparently the new legal action is an attempt to protect the integrity and reputation of The Godfather trilogy.

Paramount states that in a 1969 agreement Puzo signed away all rights to The Godfather novel except for the right to publish the original novel in book form.

Puzo wrote The Godfather when he was broke and desperate for money, once saying “I wished like hell I’d written it better”. Today, it has sold more than 21m copies.

Los Angeles lawyer Bertram Fields is quoted as saying “For Paramount to do this to Mario Puzo’s children, after the tens of millions of dollars he made for the studio is outrageous.”

Random House, which is due to publish The Family Corleone in the summer, did not comment on the legal action.

James Patterson Private

Private on parade

James Patterson is to be congratulated. His latest crime series Private, is more than a book, it is a marketing concept, more ambitious than any other attempted in the history of crime publishing.

With Private, Big Jim has created a vast new crime franchise, to rival Honoré de Balzac’s La Comédie Humaine. Although with his army of elvish scribes working in tandem, this new Patterson project is rapidly developing in to an epic of biblical proportions.

Private sounds naughty—forbidden, you know you shouldn’t look inside, but you just cannot help yourself, the cover is big, golden and sexy, it has brand name credibility and end of aisle product placement, what could be the harm?

Patterson, a former head of brand marketeers J. Walter Thompson, just cannot help himself. He uses the phrase brand diversification, early in this novel, a term that appropriately describes both the Private organization and the vast Pattersonian empire that mirrors it.

Big Jim has needed  new product for a while. His Alex Cross novels have become increasingly ludicrous of late, and the Women’s Murder Club series, which he co-penned with fetchingly enigmatic Maxine Paetro, have surely burned themselves out at long last.

Meet Jack Morgan, the square jawed Marine back from the ‘hell’ of Afghanistan covered in glory and dead comrade. Poor Jack. He is getting puzzling flashbacks—he died out there, for Christ’s sake, but was resurrected! A miracle!

Cut to Jack meeting his pops in jail. Jack’s pops was a bad man and an even worse father, but now he repents! He gifts jack fifteen million dollars and files for his detective agency Private. Where did this run down old crook get fifteen-mil? We are never told. And the old man dies mysteriously in jail soon after, so we never get to find out.

Most people would have bought a luxury condo in Boca Raton and sipped cocktails for the rest of their days. Not Jack. Oh no.

Five years later, and Jack has turned that 15 million into a worldwide detective agency with better crime lab resources than either the LAPD or FBI. Wow! Jack is certainly a good businessman, for a psychologically disturbed Vet’ with a convict Dad and he drives a Lamborgini too. Cool! There are problems however, Jack’s Brother is as bad as Jack is good and to add insult to injury, eligible Jack is unlucky in love (sob!).

The Plot of the first Private book [there are at least three now] is a triple-header. Firstly, heroic Jack swings to the rescue of a life long friend, who’s wife turns out to be a smack-shooting, crack-head, who is selfishly whoring herself out, while her loving husband is at work.

Now Crimezine is no expert in these matters, but one would assume it would be hard not to notice, if your significant other was indulging in such behavior, more importantly, how could Jack, being such a life long friend of the family, not notice the tell tale clues? Drooling, facial sores, haddock-brained speech, vagrant hygiene? Who killed this lovely lady? Could it be the mafia? Gasp.

Next up, a team of dorkish computer-gamers are stubbing out the lives of young schoolgirls, using  hi-tec phone hacking software to get the inside track on the girls lives and lure them to their deaths. Really? If these dork-boy computer nerds could figure this out, surely they would be using the technology to steal money from financial institutions and use the proceeds to buy their twisted kicks elsewhere, like from the junkie hooker that Jack’s best friend is married to, for example?

Last, but no means least ,we are expected to believe that Jack’s Uncle is a big noise in the NFL and he needs Private’s help to uncover a multi-million dollar gambling scandal. It would appear that the research done for this strand of the story involved a cursory flick through the LA Times sports section, which is as lame as it is unforgivable.

It is perhaps inevitable, that such an ambitious novel, that tries so desperately to be all things to all men, will run the risk of satisfying no one.

Private is more bloated than a blowfish Ciabatta. The action is relentless, if unconvincing. We are expected to believe for example that a semi-automatic weapon can emit an: ‘unconstrained burst’ of gunfire, a lazy and dull-witted mistake for big-league crime writers. But the bloopers keep on coming.

We are told that Santa Monica is part of Beverly Hills, an error that reveals that neither Patterson or Paetro live in Los Angles, where the novel is set, although their name dropping of fancy-pants restaurants suggests the pair may have made an expenses paid daytrip to the city at some point. More likely they Googled up name checked locations, in a lazy Internet crawl.

The most annoying aspect of this novel however, is its derivative nature. It is hard to come up with new concepts for Detective fiction as it is such a classic genre, but Private is a veritable shopping list of clichés. We get a computer super geek with weirdo dress sense called Mo-bot We get a Q-like gadget specialist Dr Sci. The list goes on, and on, and the parallels to TV shows like CSI are glaring.

In conclusion Patterson fans will grin and bear this novel as per usual. It is clear that there will be a deluge of Private novels heading your way in the near future. Private Games; Private #1 suspect; and Private London, are all now available and if you are even vaguely interested in reading the series the first book is recommended.  Likewise, if you are concerned that your leather bound set of Honoré de Balzac’s La Comédie Humaine might get water damaged during your poolside vacation this year, Crimezine recommends you get your Privates out instead.

http://www.jamespatterson.com/books_private_series.php

http://www.stieglarsson.com/

Steig Larsson Girl With the dragon Tattoo

Steig Larsson: Nazi hating Swedish Sci-Fi fanatic, best selling crime novelist.

They say exercise is good for you. In Stieg Larsson’s case that proved to be incorrect. The writer, journalist and political activist died in 2004 at the age of fifty, after huffing his way up several flights of stairs to his office. Ugly rumors circulated about his death, suggesting that it was somehow connected to his Job at Expo magazine where he battled neo-Nazis; a stance that brought him many death threats.

Larsson’s first writing ventures for Swedish fan magazines, were Sci-Fi based.  Like the hero of the Millennium novels (named after Millennium magazine which Larsson’s fictional hero Michael Blomkvist works.) Stieg Larsson became a journalist. He also had radical political views and founded The Swedish Expo organization, a body dedicated to counteracting white supremacism and the growth of the extreme right.

Larsson’s first (1991) book Extremhögern, Extreme right, documented the rise of the extreme rightwing and racist organizations in Sweden. He was vociferous in his condemnation of his extremist political enemies and as a result lived in constant danger. When he died in 2004 no one would have expected that a Nazi hating Swedish Sci-Fi fanatic would ever become a best selling novelist, particularly a best selling crime novelist.

The entire Millenium trilogy was published posthumously. The first novel, which has become known as The Girl with the Dragon Tattoo, was originally called Men Who Hate Women. The Character of Lisbeth Salander, was based on a young girl Larsson saw gang raped when he was 15. Tortured because he did nothing, the guilt festered within him for years, until he could provide retribution through the means of an astonishing fictional voice. Prurient parallels have been drawn between aging jorno’ Blomkvist’s lust for cyber punk hotty Salander and Larsson’s desires subconscious or other wise. Did the tubby Swede have a predilection for sleazy goth chics in S&M gear? Perhaps we will never know.

Larsson’s second Millennium novel, The Girl Who Played with Fire, expands on the Salander and Blomkvist characters, tossing them into a world of sex trafficking and multiple murder. Less Iconoclastic than the first ground breaking novel, this sequel quite literally shot off the shelves. Crimezine was a big fan of the suspenseful four part structure and the Daniel Alfredson movie, with the ravishing Noomi Rapace.

The Girl who kicked the Hornets nest, (The Air Castle that was Blown up, as it was catchily titled in Swedish.) is as we all know, the final novel in the series. Or is it? At the time of his death Stieg Larsson had written three quarters of a fourth novel, tentatively named Gods Revenge and outlines exist for novels five and six, according to Larsson’s long term partner Eva Gabrielsson.

Gabrielsson says she assisted Larsson, helping him complete the beginning and end of Gods Revenge, before his untimely death. She says she can complete the outlined middle section, but a legal dispute with the heirs of Larsson’s estate, is currently preventing this. Don’t hold your breath for an early delivery however Crimeziners, Gabrielsson needed the assistance of ghost writer Marie Francois Colombani to complete her 2011 tome on Larsson Steig & Moi.

Larsson and Gabrielsson were unmarried at the time of his death, in part because marriage would have compromised their secretive lifestyle, enabling Larsson’s neo-Nazi enemies to trace him. As a result the multi-million dollar Larsson Estate passed to Larsson’s only living relatives, his estranged father and brother.

Will the Fourth book ever be released? Gabrielsson has teased us, revealing that #4 will take place in Canada, it will focus on Lisbeth Salander, her evolving personality and how she got those famous tattoos—apparently each one represents a person who has hurt her in the past. Crimezine looks forward eagerly Ms Gabrielsson. Just a word of advice however: Stay away from the stairs.

Crimezine Raylan

Raylan

Elmore Leonard is eighty-six years old, you would think by this stage of his writing career he wouldn’t much care  what people thought of his work. A thought that may have occurred to many Crimeziners, who read Leonard’s last off-the-boil novel Djbouti, a tale of modern day African piracy, that had Crimezine snoozing.

Perhaps unsurprisingly, America’s greatest living crime writer is back on form this year, with Raylan. A tale involving US Marshal Raylan Givens, a character first introduced to us in the classic early nineties Leonard novels, Pronto and Riding the Rap.

Crimeziners will no doubt remember that the last Raylan Givens story was the 2001 novella Fire in the Hole, which inspired the cult FX television show Justified. Apparently Leonard found fresh inspiration in the show and felt compelled to advance the Raylan milieu himself.

Which is terribly nice of him.

Crimezine understands that Graham Yost, Producer of Justified, forces writers of the series are to wear WWED bracelets [What Would Elmore do?] Crimezine suspects Octogenarian Leonard would these days enjoy a warm milky drink, mid-afternoon followed by a long nap. Crimezine hopes Mr Yost is enforcing this edict rigorously.

Justified has in many ways subsumed the world of Raylan Givens, to such an extent that when Leonard’s narrative diverges from the structure the show has created, the reader is distracted. Which is unfortunate, but perhaps understandable, given that Television’s narrative demands are often different to those of crime writers, such as Mr Leonard.

Raylan the book is classic Leonard, in terms of its laconic plot driven dialogue. It is also episodic. We get lame brained stoners the Crowe brothers, who have decided to branch out into the lucrative world of human organ theft: stealing human kidney’s, then selling them back to the owner—genius. We also get fugitive Poker ace Jackie Nevada and a trio of bank robbing strippers. Last but no means least there are dark doings afoot at the local coal company. These nefarious shenanigans make for a glorious and good humored crime romp, in classic Leonard style and Crimezine looks forward to the antics outlined here appearing in the TV show, for no doubt they will.

Crimeziners may know that Elmore Leonard was an acclaimed writer of Westerns for years, he turned to crime writing when the market for Westerns dried up. Crimezine suspects that quick-draw Ralyan, played to great effect in Justified by Timothy Olyphant provides a trip down memory lane for Mr Leonard. Perhaps that is why he is returning to this character so late in his career? Crimezine wishes him luck and many more years of successful writing too.

http://www.fxnetworks.com/shows/originals/justified/